There's a vast array of presets included, sensibly named and arranged in banks such as Halls, Chambers, Instruments, Vocals, Ambience, etc, which is very handy when you're after something specific. The Lock button on the Mix control lets you lock the mix level while flicking through presets, with further conveniences including A/B comparison and four interface skins.

Putting Breeze to work in a mix is, well, a breeze! The relatively conservative control count means it's quick to get to grips with and doesn't leave you scratching your head as to how best to proceed, as could be the case with Aether. If you're interested, 2CAudio's website details Breeze's special features. In fact, Breeze has a few aces up its sleeve when compared to its older sibling, such as its stereo options, the graphical reverb display, a low-CPU Density/Diffusion mode switch, and an 'evolved' modulation method that's said to be more akin to real spaces. It would be wrong to dub Breeze a cutdown version of Aether, though. This means less fВlexibility, but there's more than enough control for typical reverb duties.

Its graphical stylings are reminiscent of Aether's, but it's nowhere near as daunting, with far fewer controls. It's a pleasure to report that Breeze is, by design, less CPU-intensive and much easier to grasp. Blown awayДўCAudio's previous reverb plug-in - Aether 1.5 - sounds fantastic, but it's quite CPU-heavy (especially with the quality settings cranked up) and takes time to fully master. The section just above lets you choose from five filter types for both EQ and damping.

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